SELECTED WORKS and PERFORMANCES

for orchestra:

Symphony No. 3 for large orchestra (2001), duration: 30’

3333/4331/timp 3perc pf hp/str

A Point of Amber Light for violin and chamber orchestra (1992–6), 20’

1111/2210/timp 1perc pf hp/str
commissioned by Peter Tanfield
1997 David Juritz, violin, Richmond Orchestra, London

From Her Husband's Hand for alto saxophone and chamber orchestra (1990), 18’

2222/2200/2perc/str
[see also version for alto saxophone and piano]

3 Pieces for chamber orchestra (1989), 30’

 1111 sopr sax/1111/timp 1perc pf hp/str

Oyre's Garden for chamber orchestra (1985, revised 1990, 1999), 8’

1110/2331/timp 2perc pf hp/str
2006 (1999 revision) Orchestra of the City, London
1999 (1999 revision) Baldwin-Wallace College Symphony Orchestra, Berea, OH
1990 (1990 revision) Kenosha Symphony Orchestra, Kenosha, WI
1987 Civic Orchestra of Chicago, Illinois Young Composers Reading Session

Symphony No. 2 for large orchestra (1984), 31’

3232/4331 euph/timp 4perc pf/str
1989 Eastern Illinois University/Community Orchestra, Charleston, IL
1986 Recital Orchestra, Northwestern University, Evanston, IL

for soloist/duo:

Remembering the Night Sky for alto saxophone and piano (2001), 14’

commissioned by Kyle Horch
2001 “Anglo-American Soirée”, Kyle Horch, Pamela Lidiard, British Music Information Centre, London

From Her Husband's Hand for alto saxophone and piano (1990), 18’

1992 Paul Bro, Patrick Sinozich, Northwestern University; 1991 Three Arts Club, Chicago
1990 Kyle Horch, Pamela Lidiard, London
[see also version for alto saxophone and chamber orchestra]

Stimmen for flute and piano (1989, revised 1990), 13’

1992 Timothy Lane, Eau Claire, WI, Interlochen, MI
1990 “New Music from America,” Marianne Ehrhardt, Pamela Lidiard, London
1989 Caroline Pitman, Patrick Sinozich, Three Arts Club, Chicago

Solomon's Seal for piano (1988-89), 18’ (variable)

1989 Patrick Sinozich, Three Arts Club, Chicago
1988 movts 1-4, 6, Stephen A. Taylor, Aspen Music Festival

Variations (1982) for piano, 3’

2006 Philip Smith, The ‘Lighthouse’ Arts Centre, Poole

for chamber ensemble:

No Free Lunch for flute, viola, violoncello, and piano (2005), 6’

commissioned by Simon Speare
2006 Simon Speare’s Big Noise, Colchester

Saxophone Quartet (1999), 8’

Inner Sanctum for flute, oboe, clarinet, saxophone, violoncello, and piano (1992), 14’

commissioned by Kyle Horch
1999 Faculty ensemble, Baldwin-Wallace College
1997 Kyle Horch and friends, Church of St Giles-without-Cripplegate, London

String Quartet No. 3 (1990) 9’

1990 Aureole String Quartet, Dartington

Purgatorio for flute, clarinet, violin, cello, and piano (1988), 6’

1990 “New Music from America”, Lauderdale House, London
1989 Aspen Music Festival

The Grey Masque for percussion ensemble (1986), 8’

commissioned by Glenn Freeman
1987 Glenn Freeman Percussion Ensemble, New Music Chicago Spring Festival
1988 Aspen Music Festival

Breaking the Winter Silence... for soprano, piano quartet, and percussion (1986), 12’

commissioned by Susan Charles
1988 Susan Charles, sopr, New Art Ensemble, University of Chicago

for wind ensemble:

Inferno (1987, revised 1989), 12’

2120 sopr sax/2331 euph/2perc pf/cb
commissioned by the Northwind Ensemble
1997 (1989 revision) Baldwin-Wallace College Symphonic Wind Ensemble
1989 Recital Ensemble, Eastern Illinois University
1987 Northwind Ensemble, Chicago

Symbols and Signs (1986), 14’

3342 alto, ten, bari sax/4431 euph/timp 3perc
1987 Northwestern University Symphonic Wind Ensemble

In a dream... for flute and wind ensemble (1984), 10’

1040/4331/3perc
1985 Northwestern University Symphonic Wind Ensemble

for choir:

Prologue from Dr. Faustus for solo SATB and SATB choir, 4’

 1990 BBC Singers, Dartington

for electronic tape:

Free Fall (1987), 7’

1987 Composers’ Resource Second Annual Electronic Music Festival, Atlanta, GA; University of Michigan, Ann Arbor, MI; Northwestern University, Aspen Music Festival

Anthropomorphosis with soprano saxophone and piano (1986), 12’

1986 Kyle Horch, Julie Morrison, Northwestern University Honors Concert

Phoenix (1984), 12’

1987 Aspen Music Festival; 1986 Crystal Ballroom Concert Association, Chicago

for jazz ensemble:

The Storm (2004, revised version), 12’ (variable)

2005 Jazz Impact Reunion Band, Lakeland Jazz Festival, Kirtland, OH

The Storm (1982), 12’ (variable)

1984 Northwestern University Jazz Ensemble
1983 Baldwin-Wallace College Jazz Band, Central Ohio Jazz Festival, Columbus, OH [Outstanding Composer/Arranger Award]

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